Ugo Rondinone: I ♥︎ John Giorno is a sprawling, multi-part exhibition that presents the extraordinary life and work of the poet, artist, activist and muse, John Giorno. Encompassing thirteen venues around Manhattan and featuring paintings, films, sound installations, drawings, archival presentations and a video environment, this retrospective includes work both by Giorno himself, as well as work that he has inspired.

I ♥︎ John Giorno is also a work of art by Giorno’s husband, the Swiss artist Ugo Rondinone, who has been creating sculptures, paintings, drawings and multi-media installations for almost three decades. With this project, Rondinone presents a prismatic portrait assembled from thoughtful arrangements of the materials, experiences and relationships that have defined Giorno’s astonishingly wide-ranging artistic career. Foremost, though, the project is a joyous celebration of Giorno’s ubiquitous presence in contemporary culture, as well as his myriad contributions to it.

Rondinone’s homage to his life partner, Ugo Rondinone: I ♥︎ John Giorno, is the latest, and by far, the most ambitious collaboration of Giorno’s career. The project unfolds in eighteen chapters, each a distinct exhibition sited in a non-profit or alternative space in Manhattan. Every chapter takes the form of an immersive installation designed by Rondinone and dedicated to a body of work, an interest, a relationship or a collaboration that has marked Giorno’s life. This includes his poetry, painting, sound work and performance; his recording projects, and his founding of Giorno Poetry Systems; his AIDS activism; his Tibetan Buddhism and his vast personal archive that comprises a history of radical art and poetry in New York during the second half of the twentieth century. Several installations feature portraits of Giorno by different generations of filmmakers, painters, videographers and musicians. One consists of a single work; a multi-channel video installation by Rondinone consisting of multiple images of Giorno performing one of his recent epic poems.

Ugo Rondinone: I ♥︎ John Giorno is a unique artistic and curatorial experiment. The cooperation between so many disparate nonprofit and alternative institutions in New York in the presentation of a single project is similarly unprecedented. The singularity of this monumental hybrid of artwork and exhibition is testament to the breadth, variation, and longevity of Giorno’s ongoing career, as well as Rondinone’s artistic vision. Those lucky or stalwart enough to visit all eighteen chapters of the exhibition will come away with an idea of both of these artists’ achievements. In its size and ambition, I ♥︎ John Giorno can be seen as a citywide work of public art. At the same time, it is an intimate expression of love and inspiration between two artist partners. It is an astonishing gesture of love on Giorno’s part to give the sum total of his life’s work to Rondinone as material for his own artwork. Perhaps it is equal only to Rondinone’s conception of an artwork as big as Manhattan to do justice to that gift. – Laura Hoptman

About John Giorno

John Giorno (b. 1936, New York City, USA) is an artistic innovator who has been defying conventional definitions of poet, performer, political activist, Tibetan Buddhist, and visual artist since he emerged upon the New York art scene during the late 1950s. In the 1960s, he began producing multi-media, multi-sensory events concurrent with Warhol’s Exploding Plastic Inevitable. He worked with Rauschenberg’s Experiments in Art and Technology (E.A.T) in 1966, and with Bob Moog in 1967-68. His breakthroughs in this area include Dial-A-Poem, which was first presented in 1968 at the Architectural Society of New York, and was later included in the MoMA’s Information exhibition in 1970. His contributions are significant to many culturally defining moments: the Beat generation, Pop Art, Punk, the Pictures Generation, and the hip-hop era. His work is included in the collections of the Museum of Modern Art, New York; Centre Georges Pompidou, Paris; Musée National d´Art Moderne, Paris; and Queensland Art Gallery/Gallery of Modern Art, Brisbane; among others.

About Ugo Rondinone

Ugo Rondinone (b. 1964, Brunnen, Switzerland) is a renowned mixed-media artist who lives and works in New York. Recent solo shows include: your age my age and the age of the rainbow, The Garage Museum of Contemporary Art, Moscow; let’s start this day again, Contemporary Arts Center, Cincinnati; every time the sun comes up, Place Vendome, Paris; girono d’oro + notti d’argento, Mercati die Traiano, Rome; becoming soil, Carre d’Art, Nîmes; seven magic mountains, Art Production Fund and Nevada Museum of Art/Desert of Nevada; vocabulary of solitude, Museum Boijmans Van Beuningen, Rotterdam; Ugo Rondinone: I ♥︎ John Giorno, Palais de Tokyo, Paris; golden days and silver nights, Art Gallery of New South Wales, Sydney; and artists and poets, Secession, Vienna. His work is in the collections of the Museum of Modern Art, New York, the Institute of Contemporary Art, Boston, the San Francisco Museum of Modern Art, the Walker Art Center, Minneapolis, and the Dallas Museum of Art, among others. Upcoming shows include the world just makes me laugh at Berkeley Art Museum and Pacific Film Archive, Berkeley; and good evening beautiful blue at Bass Museum of Art, Miami.

I ♥︎ John Giorno is made possible in part by public funds from Pro Helvetia, Swiss Arts Council. The I ♥︎ John Giorno organizing committee gratefully acknowledges generous support from Van Cleef & Arpels, Fondation Jan Michalski Pour L'Ecriture et La Litterature, the Andy Warhol Foundation for the Visual Arts and LUMA Foundation. Thanks to Almine Rech Gallery, Brussels, London, New York and Paris; Elizabeth Dee Gallery, New York; Esther Schipper, Berlin; Galerie Eva Presenhuber, New York and Zürich; Gladstone Gallery, Brussels and New York; Galerie Kamel Mennour, London and Paris; Kukje Gallery, Seoul; and Sadie Coles, London for production support. Additional thanks to Ophelia and Bill Rudin as well as the General Consulate of Switzerland in New York for their gracious contribution, and to agnès b. for in kind support.

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